Selected Projects

Archive for the ‘Illustration’ Category




Design Brighton

Design Brighton is a network of people from a variety of creative disciplines. We believe in the value of design. We promote this through a series of regular meetings and events where people can connect, inspire and create.

For the past few months, members of the Design Brighton committee (Gem Barton, Tim Mitchell, Lori Pinkerton-Rolet, Jim Stephenson, Frances Tobin, Paul Zara and me) have been working feverishly to set the organisation up and put on the first events.

In December we held our launch party, with a knees up at TOM (The Old Market) that was attended by over 130 people, eager to find out what we have planned for 2013.


— Kyle Bean talking at the January event.

Our first ‘inspire’ event took place last night, featuring two speakers. Deyan Sudjic OBE (Director of the Design Museum) discussed his education and career as a design critic. He charted the history of presenting design in a museum/gallery context. He explained how the Design Museum grew from its base in the boiler room at the V&A, to getting its own home at Shad Thames in 1989, right up to today where development of the New Design Museum at the Commonwealth Institute on London’s Kensington High Street are well underway. As Deyan puts it; “We see the new museum as being a centre for British design, a place where tomorrow’s designers can learn about the design industry and be inspired to work within the design sector.”


— The new Design Museum on Kensington High Street

The 2nd speaker was Kyle Bean, a Brighton based image maker whose images combine concept and craft. He spoke about how honesty and artistry guide his work, shared some of his recent projects, and took us through the processes involved in finding a solution.


— Kyle’s ‘Soft Guerilla’ images for Cut Magazine.

The aim of our first talk was to inspire, and both speakers really did this. The sold out event was really well received, and we are now working on the program of events for the rest of 2013.

We have a Design Quiz scheduled for Monday 11th February and an illustration event in March, where Brian Grimwood will be talking to Alex Leith (Viva Brighton) about his work.

As part of the committee, I have been involved in all aspects of Design Brighton’s inception, particularly on the graphic design side of things. I created the visual identity and worked on the positioning and structure of the organisation. I have also designed the posters, flyers (both expertly printed by Generation Press) and a holding webpage for each event. I intend to talk in more detail about creating the Design Brighton identity in another post, so watch out for that.

Events are split into three types.’Connect’ events aim to bring Brighton’s creative community together, and offer an opportunity to network and meet new people.’Inspire’ events feature people talking about their work and inspirations, and ‘create’ events offer the chance for people to come together and make something.

The whole committee has worked really hard, and we are looking to keep the momentum going through the year. If you’re in Brighton and are interested in joining us, you can find out more information about the next event on our website: designbrighton.org. Come along and say hello.


Discovered in September

Here’s a selection of interesting things discovered on the net in September. Definitely worth sharing.

The Noun Project
A project aiming to develop a global visual language through an ever-increasing collection of pictogram.

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It’s no biggie
Lovely scribbly animated situations by Thoka Maer.

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How to get people to love your brand‹
David Hieatt writes about love, ideas and having fun in his list of 23 ways to get people to love your brand.

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Why the best companies make you feel something
John Kearon talks about the use of emotional states such as surprise, sadness, anger, fear, contempt, disgust and happiness in marketing.

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The 22 rules of storytelling, according to Pixar
Former Pixar storyboard artist Emma Coats shares her narrative wisdom.

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From certainty to doubt
Mark Purdom’s photography project explores how manmade items sit in natural settings.
From certainty to doubt

Click the links above and have a look for yourself. Thanks to anyone who shared the links or images above.


Control film poster design

Control Poster Design

On Sunday 13th of May, Jim Stephenson’s always excellent miniclick photography talk joins forces with Hungry Eye Magazine to present Anton Corbijn’s Ian Curtis biopic, “Control”. The film will be screened at The Duke of York’s Picturehouse as part of the Brighton Fringe and will be followed by a discussion on the aesthetics of that era with Stephen Mallinder from the band Cabaret Voltaire.

To commemorate the screening, Jim asked four Brighton based artists to design one-off special edition posters. Graphic design is represented by myself and Chris Harrison of Harrison & Co with illustrators Billy Mather and Ryan Gillett making up the quartet.

For me, the film offers a bittersweet insight into Ian Curtis’ world. While he and the band are finding fame and adulation, Curtis is depressed and going through a failing marriage. He is also diagnosed with epilepsy and is suffering from the side effects of the drugs prescribed to help him. A line in the film stood out for me: “It’s a matter of trial and error until the right drug or combination of drugs are found”. This illustrates how far medicine had yet to develop on managing epilepsy, and brought home to me the confusion, despair and disappointment that Curtis must have felt after diagnosis. According to the Epilepsy Society, seizures may induce, among other things, visual disturbances such as flashing lights, hallucinations and the feeling of a ‘wave’ going through the head. With the poster, I wanted to visually depict the sensations that Curtis may have experienced as an epilepsy sufferer, giving the viewer the same sort of unease. The poster is also intended to represent the tunnel-like dark loneliness that sufferers of depression report.

I wanted to build layers of meaning into the image. So for example, the image is made of 23 concentric rings, each representing a year of Curtis’ life; almost like the rings of a tree. There are also 80 segments to the circle as the film ends with Curtis’ death in 1980. I hope the poster does justice to this beautiful and moving film.

Control posters

The posters have been limited to 30 prints of each design and are printed on heavyweight A3 recycled stock. The set of four posters is available to buy for the bargain price of just ÂŁ20 (plus ÂŁ5 p&p in the UK). Please email: jim@clickclickjim.com for more information. For information on the screening and details on where to get tickets, click here.


A very merry Christmas


Here’s to a well deserved Christmas break. I hope you enjoy Christmas and new year, and that you return feeling refreshed. This year’s Christmas cards were foiled onto candy pink GFSmith Colorplan stock and are now in the post, so if you’re a client, colleague, collaborator, comrade or crony you should hopefully receive yours soon. If not sorry, I blame Royal Mail!

With thoughts for those not as fortunate as ourselves, Very Own Studio has made a donation to Crisis: The national charity for single homeless people — who are very busy at this time of year.

See you on the other side.


Let us play

As I mentioned in my previous post, I was recently invited to take part in the Celebration of September poster exhibition. Each exhibitor was asked to create an A1 poster for one day in September.

I was given the 25th of September, which was a Sunday. My poster takes the day as its theme, presenting a traditional stained glass window with the message ‘let us play’; a tongue-in-cheek reference to the church call to prayer. Does the poster express a commentary on changes in our society — a decline in moral or spiritual values as we hedonistically seek to fulfil individual needs? Maybe for some, but to me it’s a call to arms, encouraging people to bring the playful back to their weekends, and do something creative. I wanted to make a point about the spiritual value of play.

The brief stipulated that all posters should be handmade. My poster was created using paper-cut collage — each shape cut out by hand using a scalpel. This was time consuming but it was great to have the opportunity to work in a way I don’t normally as part of my everyday work.

On Thursday I visited the busy private view and managed to take some photos of the event. It was good to meet the other creatives involved and to see their posters, which had been created using a range of methods, including screen printing, embroidery, hand drawing and laser cutting. Special thanks to Mortar&Pestle Studio for organising the event.


Eight:48 magazine illustration

I was recently asked to create an illustration to accompany an article in Eight:48 Magazine. The article, written by Magnus Shaw: copywriter and blogger, is called ‘Where the art is’ and discusses the joys and perils of working from home.

The illustration reflects the sense of fun in the written piece (an extract from which is below) with a bright layout that includes many of the elements discussed in the article such as cups of tea, daytime TV and working around household chores. The busy layout illustrates the combination of work and home tasks and how the line between these is sometimes blurred.

“So let’s assume you’re sufficiently disciplined to actually make it past the TV, kettle and soufflĂ© dish. Settled at your Ikea desk, in your box room, you’ve even managed to fire up the laptop. You are now, officially, on the clock and working. But hang on. An icon says you have 30 new emails. Wow! 30! It’s entirely likely that 29 of them will be promoting exotic pills to expand certain parts of your anatomy or tour dates for Def Leppard, but you’d better check…”

I could really identify with the sentiments expressed in the article – hopefully this comes through in the illustration!


Wish you a very merry Christmas

There’s only a few days until the festive period. So I’d just like to say, I hope you enjoy Christmas and new year, and that you return to work feeling refreshed and not too bloated by all the seasonal food and drink!

Just like getting a gift under the tree from Santa, I always enjoy getting a job back from the printer or finisher, the anticipation of opening the box to find what’s inside, the smell of the board or ink, the feel of the stock. You can’t beat it.

The 2010 Very Own Studio Christmas cards were dispatched last week – if you got one, I hope you like it, if not I’m sorry, I’m sure I forgot a few people! The card is a study of snowflakes, 24 to be precise, the final space on the grid is taken up by the VOS roundel graphic. The idea being that each shape represents a day of December, the 25th being Christmas day.

Snowflakes have an obvious beauty, but although they are formed through natural conditions, they remain consistent in a few ways. Snowflakes are generally six sided shapes, they are often symmetrical and the likelihood of two flakes taking the same formation is extremely low.

When researching the design for the Christmas card, a major influence was the photographic work of Wilson A. Bentley, otherwise known as Snowflake Bentley.

According to the website set up to preserve the memory of Bentley and what he achieved “Bentley attracted world attention with his pioneering work in the area of photomicrography. By adapting a microscope to a bellows camera, and through years of trial and error, in 1885 he became the first person to photograph a single snow crystal. He would go on to capture more than 5000 snowflakes during his lifetime, not finding any two alike. In 1931 his book ‘Snow Crystals’, containing more than 2400 images, was published.”

Below are some of the images that Bentley captured.

Beautiful, I’m sure you’ll agree – although they look better close up than they do when you’re sitting in a traffic jam trying to get from A to B. On that note, have a safe Christmas. See you on the other side.


Illustration by Adam Ellison

I first spotted Adam Ellison’s illustrative work when a fellow contributor posted a link to the FormFiftyFive website. Adam’s work is playful, bold and graphic. I like the juxtaposition of images above, as Adam explains: “I enjoy challenging and engaging the viewer using visual wit, producing conceptual ideas that communicate graphically.” Nice work indeed.


BMW Art Cars; 1975 – 2010

Jeff Koons design for the 2010 BMW M3 GT2 art car.

Art cars designed by: Alexander Calder, Roy Lichtenstein, Andy Warhol and Ken Done (clockwise from top left)

Art cars designed by: Cesar Manrique, A.R. Penck, Esther Mahlangu and David Hockney  (clockwise from top left)

I’ve just returned from a long weekend in France. I went there to watch the Le Mans 24 Hour Classic race in which vehicles of yesteryear race around the imposing 14k track. Whilst wandering around the paddock, I saw several BMW art cars up close. I also discovered this years stunning car which was designed by artist Jeff Koons.

According to bmwdrives.com “The concept for the BMW art cars was introduced by HervĂ© Poulain, an auctioneer and ardent racing driver from France. Poulain was searching for a link between art and cars and he asked his friend and renowned artist Alexander Calder to paint a rolling canvas on the BMW 3.0 CSL that he would race in the 1975 Le Mans endurance race. Poulain’s 3.0 CSL was the first car to create a symbiosis between the world of art and the world of motorsport. Prompted by enormous enthusiasm for this work of art on wheels, BMW then decided to put its brilliant idea of establishing the Art Car Collection into practice.”

Since 1975 there have been 17 different art cars designed by the likes of Alexander Calder, Roy Lichtenstein, Andy Warhol, Ken Done, Cesar Manrique, A.R. Penck, Esther Mahlangu, David Hockney, Olafur Eliasson, Robin Rhode and Jeff Koons. BMW have certainly picked some big names over the years, so I’m not expecting a call from Germany just yet, but considering my love of cars, I think this would have to be a dream job. Maybe one day…

Images from: bmwdrives.com


Landschaft mit haus

A beautifully simple series of images by Suzy Yes found on Flickr. All of her pictures feature a solitary house in a landscape, depicted using just horizontal blocks of flat colour. The images all follow the same composition, but vary in the way colour is used to show different surroundings, seasons or times of the day/night. The images are reminiscent of looking out of the window of a train, with the landscape blurring together as the train speeds along. I really like the simplicity of these images and the way the colours have been used.