Selected Projects

Archive for the ‘Typography’ Category




Design Brighton

Design Brighton is a network of people from a variety of creative disciplines. We believe in the value of design. We promote this through a series of regular meetings and events where people can connect, inspire and create.

For the past few months, members of the Design Brighton committee (Gem Barton, Tim Mitchell, Lori Pinkerton-Rolet, Jim Stephenson, Frances Tobin, Paul Zara and me) have been working feverishly to set the organisation up and put on the first events.

In December we held our launch party, with a knees up at TOM (The Old Market) that was attended by over 130 people, eager to find out what we have planned for 2013.


— Kyle Bean talking at the January event.

Our first ‘inspire’ event took place last night, featuring two speakers. Deyan Sudjic OBE (Director of the Design Museum) discussed his education and career as a design critic. He charted the history of presenting design in a museum/gallery context. He explained how the Design Museum grew from its base in the boiler room at the V&A, to getting its own home at Shad Thames in 1989, right up to today where development of the New Design Museum at the Commonwealth Institute on London’s Kensington High Street are well underway. As Deyan puts it; “We see the new museum as being a centre for British design, a place where tomorrow’s designers can learn about the design industry and be inspired to work within the design sector.â€


— The new Design Museum on Kensington High Street

The 2nd speaker was Kyle Bean, a Brighton based image maker whose images combine concept and craft. He spoke about how honesty and artistry guide his work, shared some of his recent projects, and took us through the processes involved in finding a solution.


— Kyle’s ‘Soft Guerilla’ images for Cut Magazine.

The aim of our first talk was to inspire, and both speakers really did this. The sold out event was really well received, and we are now working on the program of events for the rest of 2013.

We have a Design Quiz scheduled for Monday 11th February and an illustration event in March, where Brian Grimwood will be talking to Alex Leith (Viva Brighton) about his work.

As part of the committee, I have been involved in all aspects of Design Brighton’s inception, particularly on the graphic design side of things. I created the visual identity and worked on the positioning and structure of the organisation. I have also designed the posters, flyers (both expertly printed by Generation Press) and a holding webpage for each event. I intend to talk in more detail about creating the Design Brighton identity in another post, so watch out for that.

Events are split into three types.’Connect’ events aim to bring Brighton’s creative community together, and offer an opportunity to network and meet new people.’Inspire’ events feature people talking about their work and inspirations, and ‘create’ events offer the chance for people to come together and make something.

The whole committee has worked really hard, and we are looking to keep the momentum going through the year. If you’re in Brighton and are interested in joining us, you can find out more information about the next event on our website: designbrighton.org. Come along and say hello.


Let us play

As I mentioned in my previous post, I was recently invited to take part in the Celebration of September poster exhibition. Each exhibitor was asked to create an A1 poster for one day in September.

I was given the 25th of September, which was a Sunday. My poster takes the day as its theme, presenting a traditional stained glass window with the message ‘let us play’; a tongue-in-cheek reference to the church call to prayer. Does the poster express a commentary on changes in our society — a decline in moral or spiritual values as we hedonistically seek to fulfil individual needs? Maybe for some, but to me it’s a call to arms, encouraging people to bring the playful back to their weekends, and do something creative. I wanted to make a point about the spiritual value of play.

The brief stipulated that all posters should be handmade. My poster was created using paper-cut collage — each shape cut out by hand using a scalpel. This was time consuming but it was great to have the opportunity to work in a way I don’t normally as part of my everyday work.

On Thursday I visited the busy private view and managed to take some photos of the event. It was good to meet the other creatives involved and to see their posters, which had been created using a range of methods, including screen printing, embroidery, hand drawing and laser cutting. Special thanks to Mortar&Pestle Studio for organising the event.


A Celebration of September

I have been invited to take part in a poster exhibition organised by Mortar&Pestle Studio and Adrem. The exhibition, which takes place between 24th October and 1st November 2011 will showcase thirty creatives, each exhibiting an A1 poster at the Dreamspace Gallery.

Each exhibitor has been assigned a day within September, in order to create a collaboratively designed calendar for the month. I was given Sunday the 25th, and asked to design a poster specifically for that date. In a fast paced world, individual days are often overlooked for their significance and this exhibition aims to explore each day’s relevance within our own lives.

In a design industry heavily dependent on digital printing, each exhibitor has been asked to use more traditional printing or production methods. The exhibitors have chosen to craft their posters using letterpress, screen-printing, wood blocking, hand drawing, cyanotypes, embroidery, paper-cut collage and light sensitive emulsions. The exhibition will showcase a variety of creative disciplines and mediums forming a wide range of personalised styles and approaches.

I’m really looking forward to the opening night, seeing all the posters and meeting the other exhibitors. I will post my poster design on here once the exhibition has started.


Lettering by Tony Forster

During my first week studying graphic design at university (1998), I borrowed several books from the library. A particular page in one book stood out, and I photocopied it and stuck it to the wall of my workspace. The photocopied sheet (which I still have) showed the work of Tony Forster, a lettering designer from Manchester.

Forster passed away in 2008, but I was reminded of his work when he was profiled in Grafik Magazine (issue 189). The image above is a self-promotional poster showcasing a variety of Tony’s lettering styles, from fluid calligraphic arrangements to more formal typographic logos.

13 years have now passed since my initial discovery, but I still marvel at the craftsmanship of Tony’s work.


Creative Times Design Top 5

Creative Times recently asked me to put together a Design Top 5, made up of recent examples of contemporary design that I think are worthy of praise. The top 5 list is changed on a weekly basis with a different designer’s choice. The idea is that selections provide both a snapshot of contemporary design and an idea of where the particular contributor is creatively at the time of writing.

I thought I’d share my choices on here. As you can see, I’ve taken the term design quite loosely.

1. Photography by Dan Tobin-Smith
I love the work of still life photographer Dan Tobin-Smith. You can only marvel at the effort that goes to in setting up his images, and that’s before you even consider the actual photographic craftsmanship of his work. His compositions have an elegant graphic quality, they are rich with texture, often being littered with objects, while at the same time maintaining a beautiful simplicity.

2. Manifesto Project
This website, which accompanies a travelling exhibition and book, collects the manifestos of a selection of leading international designers including the likes of Sagmeister, Gill, Rams, Glaser and Vignelli. The project offers a one-stop insight into the different processes and constraints that these practitioners have applied to their work.

3. The Incident at Tower 37
I’m a big fan of animated CGI films, and I’ve enjoyed watching the industry develop over the last 15 years or so. This 10 minute animated film, written and directed by Chris Perry (formally of Pixar) and produced by students at Hampshire College, was released on World Water Day at the end of March. It highlights issues about water consumption and the effect it has on the planet.

4. Wim Crouwel: A Grephic Odyssey at the Design Museum (Until 3rd of July)
I recently visited the Crouwel Show, and was lucky enough to see the prolific Dutch designer talk about his career. I’m sure most designers will be familiar with Crouwel’s work, but there’s a magic to seeing his posters, catalogues and stamps up close. And being able to admire his precision and craft but also spot the slight imperfections in his typographic and grid based work. Definitely worth a visit.

5. Last Minutes with Oden
This emotional short film documents the final hours of Jason and his dog Oden’s life together. Technically this film is excellent, beautifully shot on a Canon 7D with fitting music. But it’s the human story that really makes this piece great. It’s a bit of a tear-jerker and a worthy winner of the Vimeo Awards.

View the article on the Creative Times website.


High Five

The South Coast Design Forum celebrates its 5th birthday shortly. As part of the celebrations, the organisation is publishing a book containing members images based on the theme of five. In collaboration with the talented photographer Jim Stephenson of clickclickjim, we designed and constructed a seven foot number 5. This was then shot on location at the cavernous artists space Rodhus Studios in Brighton.

The figure was built using only corrugated cardboard and brown packaging tape and is supported internally be several struts that ensure the number can hold its own weight when stood up. The construction and photography took just over 6 hours and I found working with Jim very enjoyable. We now plan to make the 5 part of a series of 0—9, with each number being built and photographed in a different way. On that note, if anyone would like to have a number tattooed in the name of art please let me know!

The final edited and cropped shot will be posted once the book has been launched.


Manchester Design Symposium

Today I’m heading back up north for the first Manchester Design Symposium which will discuss the value of design. This is an important issue for the design industry and one that I have been considering for a while.

Speakers at the event include illustrator Si Scott, Bruno Maag of type foundry Dalton Maag, typographer and graphic designer Jonathan Barnbrook and Tom Dorresteijn partner of Dutch design agency Studio Dumbar. I’m sure, with speakers of this calibre there will be lots of discussion and different ideas to take away, but before the event begins I’d like to share this video of Saul Bass discussing his views on the challenges of producing high quality work while at the same time making a living.


Another Love Not Money T-shirt

Here’s another T-shirt that I’ve designed for Love not Money. There should be an online store coming pretty soon so you’ll be able to buy the T-shirts and hoodies etc. then.


More Love Not Money T-shirts

The 2nd series of T-shirt designs created for Love Not Money has now been approved. The design pictured above, one of my favourites, features the letters A–Z, the twist being that the letters LMN have been switched around to spell LNM.


Studio curio#1: name plaque

curio noun – an unusual object

I am a bit of a collector. If I see something that interests me I like to have it around me when I work, as inspiration or a reminder of a time, place or person. I am going to try and post a short explanation of some of the random items I have in the studio. Explaining why I like them and the history or background behind them.

I discovered this name plaque on a shelf in the garage when visiting my parents house recently. The plaque was previously mounted at my Grandfathers doctors surgery. My ‘Grandpa’ had taken over the running of the surgery from his father in 1948 so I’m unsure whether the plaque was made for my Grandpa or Great Grandfather. Either way it dates back to an era when things were made to last.

Although the copper plaque is obviously not in its original condition (I actually like the fact it’s a little eroded) it could easily be restored to its former glory with a tin of Brasso and some paint. It’s a weighty object and is far more interesting than the current vinyl on plastic signs you see at doctors surgeries. I especially like the typography on the plaque. The letters look to have been machined or stamped in to the plate and then the relief has been filled with paint or resin (now mostly gone). The letters have an interesting rounded, octagonal form but also have a slight irregularity to them.

I’m in the process of digitising the letters on the sign and also developing the letterforms that aren’t on the sign, between jobs as a personal project. I hope to turn it into a full working typeface, possibly called surgery sans. You can see the letters I have traced above and the ones I have created in the same style below.

The letters now need turning into a working typeface, for the moment this will be limited to uppercase Roman A-Z. The time consuming part of this is ensuring that the kerning (the space between each letter pair) is correct so that when type is set, the characters have a visually consistent space around them, I haven’t started this yet. Once done the letters can be selected and used as you would with any other font.

My Grandpa isn’t alive anymore, but the plaque takes pride of place on my book shelf and hopefully I will be able to use the new typeface for a project at some point.